Nearly 100 Robe BMFL Spots are on tour with multi-award winning chart-topping
singer / songwriter Adele’s current “Adele Live 2016’ world tour, in a stylish and
dramatic lighting concept developed by Patrick Woodroffe working with associate
lighting designer Adam Basset from design practice Woodroffe Bassett Design
(WBD).

The extensive tour, which is garnering huge critical acclaim, follows the release of
Adele’s record-smashing third studio album, 25, in November 2015 which has
established her as one of the most successful recording artists of all time.

Lighting operator / director on the road is Roland Greil, and the equipment for the
UK and European legs of the tour is being supplied by west London based rental
specialist, Neg Earth, while Upstaging will deliver the rig in the US.

Ninety BMFL Spots are rigged on a series of symmetrical overhead LX trusses above
the A-stage, with another four units deployed on trusses above the B-stage which is
out in the middle of the audience.

They provide the main backlight and profile effects and are utilised extensively
through the set for theatrical mood-setting as well as potent, edgy, back-light looks,
and were chosen as an appropriate high powered profile fixture to fulfil this element
of the design.

Woodroffe worked closely with creative director set designer Es Devlin and video
content producer Lizzie Pocock from Treatment on crafting the show’s elegant
visuality.

A unique aesthetic for the tour evolved over a three month period that preceded
production rehearsals at Wembley Arena, during which time they – Adele herself
and her creative team – were engaged in several high profile TV and Awards
events including The Grammy’s and The Brits plus a TV special at Radio City Music
Hall in New York.

The set features an unusual V-shaped stage front accentuated with an internally lit
lighting frame. A series of gauzes and screens fly in and out across different planes
working either together or individually to vary the depth and dimensions of the
performance space. The B stage in the centre of the auditorium is also surrounded
with gauzes that magically appear and disappear as the set unfolds … together with
the much talked about four sided rain curtain, which is a bit hit with the press!

Greil is operating the lights using a grandMA2 full size console which he
programmed during production rehearsals.

Joining him on the road are lighting crew chief Chris Davis and systems tech Luke
Radin who are contracted by production for the whole tour. For the European legs,
Neg Earth is providing Jim Mills on dimmers and lighting techs Jamie Gorman,
James Frederickson and Sarah Janebrink.

Woodroffe has enjoyed many aspects of this project including the developing
relationship that the whole creative team has enjoyed with the artist. “She’s direct,
very clear about what she wants, always collaborative, totally unaffected … and
very funny. The creative period has been a joy for all of us involved,’ he concludes.