The 2016 Bhangra Showdown (TBS) event produced by Kudos AV and the Imperial
College Punjabi Society is the world’s biggest Bhangra dance competition and this
year moved to Birmingham’s Barclaycard Arena. Once again, the bar on production
values was spectacularly upped.

The event featured a stunning lighting design created by Tom Grant and Nathan
Wan, which used 80 Robe moving lights at its core – 16x BMFL Wash XFs, 18x MMX
Spots, 24x LEDWash 600s and 12x Pointes.

Kudos AV’s Hardeep Kataria was the production director and Tom, who also served
as production designer commented, “The organisers wanted a wide and angled look
this year and something a bit different to a “standard’ big LED wall upstage’, so the
stage design evolved into an LED screen at the back comprising five flown columns
of Absen A3pro 3.9mm pitch screen.

Each column was hung on pairs of motors that allowed them to be moved into
different positions and create different shapes behind the performers. They also
raised and lowered to allow the teams of dancers stage access / exits.

Lower resolution LED strips out along the side wings extended the space widthways
and add further content space.

A key point for the lighting brief was to ensure the performers were well lit from all
directions – front, top and the side, the latter being very important for lighting
dance performances.

High output fixtures were needed and as it’s a very colourful event, they needed
fixtures where the lumens could really cut through even in the darker colours. Tom
had recently seen the BMFL Wash in action and thought it would be an ideal fixture
for the job.

Eight BMFL Wash XFs were rigged on the front truss with the other 8 on the floor,
distributed around the back and sides.

Twelve of the MMX Spots were positioned on the two over-stage trusses, with six
spread out on a pair of wing trusses beneath the side video strips. Eighteen of the
LEDWash 600s were on the trusses, with another six rigged on the wing trusses.

The 12 x Pointes were on the back truss, used for the versatile high-impact beam
technology work that they do so well.

With these Robe moving lights in place, Nathan, an experienced lighting designer
and director, had all the tools at his disposal to create the vibrant, fast-moving,
animated show demanded by the occasion to match the serious kinetic energy and
excitement generated by the dance teams.

He programmed and ran the show using an Avolites Arena console, which was
connected to 3 x Avolites TitanNet Processors.

The lighting crew was chief’d by Mike Williams, joined by Dan Everitt on dimmers
and lighting techs Jim Potter and Jon Barlow. The production riggers were Jon Grilli
& Jacob Skinner, working under head rigger Mark Baruch, who also assisted with
the production design process.

The team from Imperial College once again took the winner’s trophy, with the
University of Birmingham and Aston University taking second and third places
respectively.