Multimedia entertainment studio Moment Factory and lighting designer Christopher
Bushell are the creative team behind Indie music heavyweights Arcade Fire’s ‘most
ambitious production to date – the Infinite Content tour.
Bushell, who worked closely with creative director Tarik Mikou from Moment Factory
on the production, is using an Avolites Sapphire Touch and Titan v10.1 app to control
the enveloping lighting environment, which features a 360° stage set in the round.
“The overall brief was for a visceral lighting and video design that both formed and
blended with the show’s scenography,’ says Bushell. “The arena design features a
strong sporting event vibe, with a boxing ring stage in the centre of the room.”
Much of the programming for the arena tour is developed from Bushell’s preceding
design for the band’s festival circuit this year. The ‘boxing ring stage’ – a central, in
the round performance space, is crowned with a square lighting grid clad in LED video
screens. Out in the arena, vertical towers provide additional lighting positions to cover
the stage and provide strong beam looks around the room.
“Working in the round comes with its challenges,” says Bushell. “I can’t check or
update positions and cues until every piece of lighting and automation is up and
running. This leaves me little time to get the pin-point accuracy required. To overcome
this, I program remotely from the console using a wireless router and the Avolites
Titan v10.1 app. The app allows me to roam around an arena venue, updating fixture
positions as I go.”
The Avolites Titan v10.1 app works alongside any Avolites Titan console to provide
moving light control from an Apple or Android device. Using the app, Bushell can
modify fixture attributes such as Dim, Pan and Tilt. He can also create, update and
apply Palettes, play cues, command style fixture selection, intensity control, quick
sketch legends and view DMX address patch remotely.
“I use a Sapphire Touch for the Arena shows,” says Bushell. “They need a full package
console. This show is 100% live, so the Sapphire’s two screens and multiple handles
mean I can keep an open palette of cues to work with and manipulate live, rather
than getting locked into a cue stack or timecode. It’s important to me to feel part of
the live experience, rather than just pressing a ‘Go Button’ from time to time.”
The Sapphire Touch was supplied by PRG Las Vegas for the American leg.
“The support from Avolites is always beyond reproach,” says Bushell. “It’s a massive
comfort to know there’s someone I can reach out to at any time, from programming
queries to me forgetting how to turn the various bits on. The fantastic ‘Avo-brain’,
self-help forum on Facebook is always a great help.”
For the band’s festival shows earlier this year Bushell chose to use an Avolites Arena
console and Titan Network Processor (TNP), both supplied by production design
company MIRRAD through PRG.
Bushell explains that the TNP was vital for his festival setup. “The TNP with the Arena
console was essential for festivals. We were running eight universes for our touring
system, so it was helpful to keep all that safely separate on the TNP and allow the
console to do the daily grind of looking after the wildly differing festival lighting
systems that we were presented with.”
“I’d never lit a show in-the-round before, so that was a major challenge in itself,” he
reflects. “There are a lot of people onstage. The way we have managed to keep the
focus on all that is going on, while maintaining a unique and pronounced aesthetic is
what I’m most pleased with and proud to have been a part of.”
The Arcade Fire Infinite Content tour is currently on its American leg and will visit the
UK and Europe in April 2018, beginning with a show at the 3Arena in Dublin Ireland.
